gridlore: Doug looking off camera with a grin (Default)
This is some world-building for my planned National Novel Writing Month project and something I hope to publish eventually.

In the very near future, Earth will be conquered by aliens. They are very friendly and polite about it, and after about a day of futility trying to attack the orbiting ships, most of the world gives up. The fleet explains they represent the Chorus (that is how it is translated into most languages), a mixing bowl of thousands of civilizations and races that spread across much of this arm of the galaxy.

The Chorus is run by entities known mainly as the Directors. It is scarce to see one, as they tend to stay in their massive deep space cities and send directives out through messages and couriers. Those who have seen a Director describe them as "space jellyfish" or "electric starfish." No two Directors are the same.

Almost all technology in the Chorus is biotech. This is a hard rule from the Directors. A small amount of "good tech" is allowed, things that can't be done with biotech, like the Stutterwarp drive and most power plants for the drives, but everything else is based on living pieces of technology. Even the ships of the Chorus are living things, most with the intelligence of a housecat.

When humans asked why the Chorus existed and why so many species have put up with it for tens of thousands of years, the simple answer was "peace." The Chorus enforces peace and encourages trade and cultural exchanges between its subject worlds. To that end, the Chorus created the Trade Languages. There are 2,538 of them currently in use. Humans can speak, whistle, dance, or sign about forty.

For nearly every citizen of the Chorus, life under the Directors has become a near paradise. The biotech gifted by the Protectors lifts every member species to near post-scarcity levels, worlds are free to rule themselves as they wish, travel is almost free as most of the Chorus operates on a gift/barter economy, and advances in medicine means even a human can live a healthy 200 to 300 years if they want.

But there is a catch. The Directors are always eager to find aggressive races, species that excel at war, and seem to keep fighting them even as the stakes rise. We fit that bill, and the price for our being allowed the full benefits of the Chorus was simple. We provide a billion or so troops for an endless war the Chorus has been fighting against a foe described only as the "Machine Intelligence."

This is where the novel starts. My characters are soldiers in the war, biotech versus nanotech. The longest-serving, my protagonist, has been fighting for over twenty years. They've been told the war in this sector is over, and they are released from service. Find your own way home. Oh, and this orbital habitat will be destroyed in ten days. Good luck!
gridlore: Old manual typewriter with a blank sheet of paper inserted. (Writing)
This, after much research, is how I see the bridge and the surrounding deck area of the FFS Rube Goldberg which is a very important setting in my project. I really want to hear from Navy and Coast Guard veterans.

Deck 3 of the Rube Goldberg is home to the main bridge. The bridge itself is an octagonal space. At the center is the command chair, used by the Captain or the Officer of the Deck whenever the Captain is off the bridge. This station has a control panel on a swing arm if the OIC (Officer in Charge) wants to examine a specific detail of the ship's operations directly.

Directly in front of this station is a fairly large holographic display. Normally, this is used to track the position of the Rube Goldberg in relation to its assigned battle group. In combat situations, it can be used to monitor threats and the Captain can direct the ship's escorts based on this information. The display can also provide information on the ship's status, updates on replenishment or repair operations on other ships, as well as a variety of live camera shots, both from fixed cameras and remote platforms.

To the left of the display is the Maneuvering station. Here the two pilots (normally an experienced Petty Officer and a rating) work in concert, controlling the ship's movement along the three axises as directed by the commander. Also at this station are an engineering PO who monitors the performance of both the six main drives as well as the maneuvering thrusters. Supervising them is the Maneuver Officer.

To the left of that station is the Environmental Control station. Manned by a Petty Officer and a Rating, they monitor the interior status of the ship, everything from gravity control to O₂ levels and the health of the ship's solid waste recycling plant. Most of their job is watching, as the actual work is spread out through the ship.

To the immediate right of the display is Sensor Analysis. Manned by a junior officer and Chief Petty Officer, this station takes in all the information coming from the various sensors, as well as updates from the Battle Group, and organizes it for the main display. They have a team on Deck 4 That does the initial filtering and analysis.

On their right is Communications. Responsible both for exterior and interior communications, this station is manned by the Communications Chief (a CPO) and two operators. They work closely with the sensors crew so message masers are aimed correctly.

Behind the Captain's Chair is Operations Management. As the Rube Goldberg is a Fleet Repair/Supply Ship, this station is a repeater for the one in the Operations Master Control Center on Deck 33. When the ship is engaged in any evolution involving the transfer of materials, repairs, or anything else where OMC is active, a team from the repair and logistics crew will be on the bridge, updating schedules and answering that commander's questions. This station is a holotable, about 1x2 meters, with workstations built in. This is the one station not equipped with seating, although emergency acceleration couches can be rolled out from the back wall.

The space is crowded, with multiple monitors, control panels; and the walls have multiple emergency air hook-up stations, firefighting equipment, and plaques filled with operational procedures and warnings. every station has a binder with printed checklists and troubleshooting guides. The lighting is usually kept dim to reduce eye strain and make the holotank easier to read.

There are two entrances to the bridge. The one to the left of the holotank as you face it is known as the Captain's Hatch and opens onto his office and underway cabin. The one to the right leads to the lift area, a security station, the midrats galley, and the "crash room" and space outfitted with bunks for quick naps during extending operations. Also on this deck are the Navigation Center (Real Space) and the office of the ship's feared head of the FIS, Fleet Internal Security. It should be noted that there is an entrance to the Captain's Office off the main corridor and that Internal Security is posted both at the Lift Lobby, and at the hatches to the Bridge and the Captain's office, as they are quite close to each other.

These are hatches heavy, manual, and designed to hold pressure.

So, what did I fuck up? What did I miss?

OK, what did I miss?
gridlore: Old manual typewriter with a blank sheet of paper inserted. (Writing)
So, I've been playing with this idea. Take The Odessey, set in space, and make my protagonists drug-addicted bio-sculpted soldiers discarded when they were no longer needed. This is my start. Please, let me know what you think beyond "good job!" I need feedback. What worked, what was clunky, and how y'all see this being better with a few changes.

Untitled NaNoWriMo Project )
gridlore: Old manual typewriter with a blank sheet of paper inserted. (Writing)
After a lot of thought, I'm not doing NaNoWriMo this year. The whole eye saga has cut into my ability to do my research and plotting, there may be more appointments coming down the road that could make things much worse, and I'm going back to work on the same day the writing starts.

Not the best way to handle this. So I'm opting out. Apex will wait a year while I get everything set up, characters set, all three sections absolutely mapped out both in location and action (and I'm going for Tim Powers levels of 'OMG, I've BEEN there!'), and can start writing with confidence on Day One, 2022.
The way the Giants season ended also is a factor.

But, to get an early start, the book is about a world where vampires are solitary apex predators and concerns the vampire who has taken San Francisco as his hunting territory since 1945 finding himself being hunted by another vampire. It's mostly suspense. I'm using Apex as the working title as it describes where the vampires sit, but can you think of another title?
gridlore: Old manual typewriter with a blank sheet of paper inserted. (Writing)
As I work on the second draft of Sideways Solutions, I'm trying to keep an Age of Dreadnaughts feel in ship to ship combat, especially once in laser range, which is around 12 thousand kilometers.

So I'm looking for something that these big UV lasers would use as ammo. Some sort of canister, preferably big and bulky for the main guns, that would be placed in or near the laser mount, consumed on firing, and removed for the next shot.

A big superconducting capacitor? Micronukes using Californium or something? Something unstable that needs a big shell to keep it happy until it is triggered to release its energy to make a big happy laser pulse that dumps all that energy in an enemy ship.

Because I really, really, want to pull an HMS Hood-style "boom" at one or two points.

Any help is appreciated.
gridlore: Doug looking off camera with a grin (Default)
Well, I've made it through another year. Continuing to defy the medical odds, and actually thriving somewhat. 2019 was a year of continued recovery, pushing myself, and doing things that I thought I would never be able to do.

Let's review, shall we?

Health )

Work )

The Arts )

Baseball )

Creative Work )

Burning Man )

So, that's 2019. I know I missed things, but the summation of the year is this: I didn't die, and had fun living.
gridlore: Old manual typewriter with a blank sheet of paper inserted. (Writing)
I need math help for my big high-tension race against death. This is Doug's failing Algebra three times moment.

The Rube Goldberg exits hyperspace doing 1,000 kilometers per second. Almost immediately, sensors detect [PLOT POINT HIDDEN] and the decision is made to nope the fuck out of there.

Assume the reaction/action cycle and flipping the ship takes four minutes. At full power, the drives generate 30mps^2 acceleration. Fuel is not an issue, as they recently refueled and carry extra stores so the ship can act as a tanker if needed.

So, how deep into the system do they get before they start to escape? How long does it take to reach that point?

If you really want to have fun, at about 80% of the way back to where they started, they lose about a third of their engines, and however long it takes, they are going to need an extra ten minutes to make the ship ready for the jump into FTL.

If the time is really short, I may up the initial speed. I need about six hours for this scene to really work.

All who answer will be awarded the Freyjan Badge of Geekery.
gridlore: Doug looking off camera with a grin (Default)
OK, another question for my NaNo project. This one gets very geeky, so hold on.

The main weapons in my universe for ship-to-ship combat are grasers - gamma spectrum lasers focused by artificial gravity - that transfer a lot of energy to the enemy ship in the form of heat, which causes explosions, melting, and all sorts of chaos.

The main sublight drives are fusion torches, which I imagine would create a wake of hot gasses.

My question is, would shooting a graser through that fusion exhaust cone degrade it in any way? Especially close to the drive bells where things are the most chaotic?

I'm trying to determine if in the final third of the book the enemy can do a straight on stern chase, or if they'd need to spread out to get around the engine wake to fire effectively.

Thanks in advance.

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gridlore: Doug looking off camera with a grin (Default)
Douglas Berry

October 2023

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